Due capricci is a set of two capricci for piano written by Hungarian composer György Ligeti. Monument, Selbstportrait, Bewegung” (Liner Notes)”. Wergo. SCHOTT LIGETI G. – MONUMENT, SELBSTPORTRAIT, BEWEGUNG – 2 PIANOS , 4 MAINS Partition classique Piano – instrument à clavier Piano on. György Ligeti: 3 Piece for 2 pianos: Monument, Selbstporträt and Bewegung – Play streams in full or download MP3 from Classical Archives.
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Lucille Chung Plays Ligeti.
He first heard the music of Steve Reich and Terry Riley in in California, and immediately recognized similarities between their ideas about musical structure and development and his own, especially in such works as Continuum and Clocks and Clouds So he changed the title to “Portrait. Streams Videos All Posts. As he was completing work on the original version of the opera Le Grand Macabre inLigeti decided to return to writing for the piano for the first time in over a decade.
Aperghis, Castiglioni, Dufourt, Ligeti, Sciarrino. There is a gradual increase in both volume and intensity. Suddenly a series of downward scale-like patterns breaks out over a prominent bass line, which takes over and selbtsportrait to swirling arpeggios and something like the sound of the piece’s opening.
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At what seems to be the breaking point, a very slow eight-part chorale takes over and closes the piece on a ponderous note. The first of the three, “Monument,” begins newegung stark, hammered out individual notes. Introspection Late Night Partying. Romantic Evening Sex All Themes.
Pieces (3) for 2 pianos: Monument, Selbstporträt & Bewegung
The composer has described the final piece, “With gently flowing motion,” as a “liquefied” variation on “Monument. Original Compositions and Transcriptions in the Tradition of Nancarrow 2.
As in the opening of “Monument,” more notes are gradually introduced into the spare, fragile texture. Rainy Day Relaxation Road Trip. Drinking Hanging Out In Love. In any case, the piece begins with a quiet tapping at a couple of high notes. More notes are introduced into the sequence in complex polyrhythmic interaction, leading to an increasing density of texture.
Originally Ligeti had called the piece “Still Life with Reich and Riley,” but decided the phrase “Still Life” was inappropriate with reference to living composers. He pays tribute to this continuity in the Three Pieces, albeit with a much higher level of dissonance than one normally finds in Reich’s or Riley’s work.
Monument · Self portrait · Movement
Complete Piano Music, Vol. It was rather Ligeti’s commentary on the connection between minimalist processes and his own work, so the title was given its final form “Self-portrait,” selbstporyrait is also somewhat misleading in that Ligeti was likewise not intending to depict himself in the work. Complete Music for Two Pianos. This forceful, granitic composition ends with a final tapping at the upper range of the keyboards.
One important influence on his style that Ligeti explicitly acknowledges in the Three Pieces is minimalism.