: Simandl – New Method For String Bass Edited by Sankey Published by New Method for the Double Bass/Book 1 by F. Simandl ( 01). O – New Method for the Double Bass (English and Japanese Text) – Book 1 – Simandl (English and Japanese Edition) [F. Simandl, F. Zimmermann, Lucas. Trove: Find and get Australian resources. Books, images, historic newspapers, maps, archives and more.
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Simandl – Notturno Op. Micah rated it liked it Nov 15, The application of contemporary bass pedagogy concepts to beginning string class instruction, in American String Teacher Magazine The second volume also delves extensively into the playing of harmonics.
New Method for the Double Bass by F. Simandl
This page was last edited on 15 Augustat Specialists who have had aimandl chance to hear both virtuosi in the same pieces give the edge to Simandl for strength and quality of tone as well as for his superb technique. Want to Read saving…. He was Professor of double-bass at the Vienna Conservatory from to Another musical masterpiece long overlooked? Things have moved on so quickly in the 20th and 21st centuries and much that ximandl gone before can be overlooked and forgotten, but we should remember that Frantisek Simandl was a pioneer of his time.
There are no discussion topics on this book yet. Sections of this page. Simandl composed many songs, his favourite genre, choral works, a Pastoral Mass, made arrangements for military band and wrote many works for double bass, but is chiefly remembered today for his educational and instructional music for double bass, which remains in print to this day. Technical accomplishment is not enough, but the Notturno is elegant and accessible, easy to programme in a recital and a piece which won’t challenge an audience.
Simandl’s Notturno is charming and elegant, doesn’t set out to break any boundaries, and is all the more successful for this. There is effective interplay between the piano in treble clef and an answering phrase for the double bass in bass clef, and the accompaniment is both supportive and independent, but never overpowers or clouds the soloist.
Paperback88 pages. Views Read Edit View history. The Simandl “family tree” of bass pedagogues extends for many generations. To ask other readers questions about New Method for the Double Bassplease sign up.
New Method for the Double Bass – Franz Simandl, Frederick Zimmermann – Google Books
He standardised much of the basic technique that we still use today and helped to increase the solo repertoire as a composer, transcriber and editor. To see what your friends thought of this book, please sign up. Irene Estrella added it Mar 12, Edgar Luna Gomez is currently reading it Feb 19, Schmidt Simsndlconsists of 50 recital works divided into nine volumes. Lists with This Book. English and Japanese texts. Revised by Frederick Zimmerman. Simandl’s “New Method” of playing, now over a century old, is still common among classical double bassists,  although the book itself is slowly being replaced by newer methods which incorporate modern pedagogical theory.
47) F. Simandl – Notturno Op.35 for double bass & piano
Marisa Bellie rated it it was amazing Oct 19, This book is not yet featured on Listopia. Emily Tarantino added it Mar 17, A repeated triplet chordal figure from the piano gradually takes the double bass into its lowest register before it begins an upward moving G major scale, with chromatic additions, building to a strong and powerful climax before an arpeggio figure descends to the lowest string.
He was regarded as a brilliant orchestral player and a much admired soloist and chamber musician in Vienna, and simqndl one of the finest double bassists of his generation, also responsible for a whole generation of bassists who exported his style of playing and teaching to almost every corner of the world. Thanks for telling us about the problem. His approach uses the first, second, and fourth fingers of the left hand the third and fourth operating together as one digit for stopping the strings in the lower register of the instrument and divides the fingerboard into various positions.
The siamndl of the opening theme has a more inventive accompaniment, with the double bass playing in harmonics. There are opportunities for the bassist to display both musical and technical skills and to add life to a long forgotten part of our history and heritage. As a player, Simandl was renowned for his outstanding technique, using a new approach to the thumb position, and producing a sound which was both powerful and lyrical.
Typical of the period, the late Romantic style is evident throughout alongside a traditional harmonic structure, but still with enough chromatic side-stepping to add a touch of spice and interest to the proceedings.
The second volume of the method looks at the use of thumb position using the thumb, first, second and third fingers, to play solo, high register work and again dividing the fingerboard up into a concept of positions.
Fernando Romay rated it liked it May 09, simanfl First published in Book 7, an all-Simandl volume, the one movement work is in ternary form and offers musical and technical challenges in equal measure. Ideal college or university repertoire as a contrast to the virtuosity and fireworks of Bottesini, Gliere, Misek and Hindemith.